DEVON HYMNS

CA$19.95

Jeremy Clarke
2010, 2011
POETRY
ISBN 978-0-9552904-3-5 (softcover)
52 pp.
First edition, second printing of 300 numbered copies

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Jeremy Clarke
2010, 2011
POETRY
ISBN 978-0-9552904-3-5 (softcover)
52 pp.
First edition, second printing of 300 numbered copies

Jeremy Clarke
2010, 2011
POETRY
ISBN 978-0-9552904-3-5 (softcover)
52 pp.
First edition, second printing of 300 numbered copies

Devon Hymns is Jeremy Clarke’s debut poetry collection.

  • Written with both wit and a profound sense of time passing, Devon Hymns takes us to what he calls “the great mismatch / of man and field.” A place where the cattle themselves are recognised with a new vision of their existence. Witty and moving, reticent and self-revealing, harsh and lyrical by degrees. Ronald Blythe

  • There is nothing sanctimonious about these hymns. Their sense of the spiritual is lightened and refreshed by a shrewd humour that sees the personality in animals and trees, even inanimate objects, the bull built for war but condemned to a life of lovemaking, the bed’s creak that greets its returning occupant with “Not again, surely?” the “bare trees: / classrooms of arms / raised for ‘who’s cold?’” Clarke’s Zen-like perceptiveness and subtlety are well-matched here by Yves Berger’s startlingly economical line-drawings, in which hand and a hoof are juxtaposed, or a cow’s brindled markings mimic a continental pattern of tectonic plates, and there’s an equally fine cover design, a complex maze of leaves, flowers and faces by John Berger. Overall, this is a beautiful book, and one which proves that pastoral is as rich a poetic theme as ever. Matthew Francis

Jeremy Clarke was born in Bedfordshire, England and has lived and worked in Canada, America, Europe, the Arctic and the Middle East. He currently lives in London.

He writes: “In the hyperactive urban loud the possibilities of slowness, a sense of the sacred, seem like quaint curiosities or period pieces. They are not. There is a quiet, meticulous, fragile world that co-exists with our own dailiness. We have the capacity for looking and listening to it.”

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